Summary
- "BFG Division" from 2016's Doom hits 100 million streams on Spotify, a milestone for composer Mick Gordon.
- Doom has established a lasting legacy in the FPS genre, and its metal-inspired soundtrack remains iconic.
- Mick Gordon's work extends beyond Doom to other FPS franchises, such as Wolfenstein and Borderlands.
A song from the soundtrack of the 2016 Doom reboot, "BFG Division," has recently surpassed 100 million streams on Spotify, marking a significant achievement for both the game and its composer, Mick Gordon. This heavy metal track is a key component of the game's intense action sequences, resonating deeply with players.
The Doom series has left an indelible mark on the gaming world, revolutionizing the first-person shooter genre since its debut in the 1990s. It introduced many of the genre's now-standard elements through its innovative level design and addictive gameplay. The series' enduring appeal is not only due to its fast-paced action but also its distinctive heavy metal soundtrack, which has become iconic within gaming and broader pop culture.
Mick Gordon, the composer behind Bethesda's 2016 Doom reboot, highlighted the series' continued popularity by sharing a tweet that celebrated "BFG Division" reaching 100 million streams on Spotify. The post featured a banner showcasing the streaming milestone, accompanied by celebratory emojis.
Doom 2016 Track's Streaming Numbers Prove The Series' Lasting Legacy
Gordon's contributions to Doom include many of the game's most memorable tracks, characterized by their heavy metal sound that perfectly complements the game's frenetic gameplay. He continued this tradition with Doom Eternal, further solidifying his reputation for crafting metal-inspired music that has become synonymous with the series.
Beyond Doom, Gordon's compositional talents have touched numerous first-person shooter franchises. His work includes soundtracks for other Bethesda titles like Wolfenstein 2: The New Colossus, developed by id Software, as well as tracks for Borderlands 3 under Gearbox and 2K, demonstrating his versatility and impact across the gaming industry.
Despite the acclaim of his work on Doom, Gordon will not be returning to compose for the upcoming Doom: The Dark Ages. He cited challenges faced during the development of Doom Eternal, including corporate constraints and internal issues, which he felt compromised the quality of his work. This experience led him to opt out of the sequel's soundtrack.
