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L'objectif de l'investissement Kadokawa de Sony de 9000 IPS d'origine par an

Authore: SamuelMise à jour:Feb 21,2025

Kadokawa, désormais soutenu par Sony Group, se fixe un objectif ambitieux de publier 9 000 IPS originaux par an. Cela représente une augmentation significative par rapport à leur production de 2023 et est détaillée dans leur plan de gestion à moyen terme, projetant 7 000 titres d'ici l'exercice 2025.

Sony's Kadokawa Investment Sparks Goal of 9000 Original IPs Per Year

Suite à l'acquisition par Sony d'une participation de 10%, ce qui en fait le plus grand actionnaire de Kadokawa, cette expansion comprend l'exploitation du réseau mondial de distribution de Sony pour la portée internationale. Pour soutenir cette croissance, Kadokawa prévoit d'augmenter son éditorial de 1,4 fois, visant environ 1 000 employés. Cette expansion stratégique vise à améliorer l'efficacité et à empêcher le surmenage du personnel.

Sony's Kadokawa Investment Sparks Goal of 9000 Original IPs Per Year

Le président de Kadokawa, Takeshi Natsuno, met l'accent sur une «stratégie de mixage des médias», s'étendant au-delà de la publication pour englober les adaptations d'anime et de jeu de leurs IP. Cette diversification vise à maximiser le potentiel de chaque IP et à générer des succès majeurs. La collaboration profite également à Sony, en particulier Crunchyroll, leur service de streaming d'anime avec plus de 15 millions d'abonnés payants, qui auront accès à une gamme plus large d'IP de Kadokawa.

Sony's Kadokawa Investment Sparks Goal of 9000 Original IPs Per Year

Le vaste portefeuille IP de Kadokawa comprend des titres notables comme Bungo Stray Dogs , Oshi no Ko , The Rising of the Shield Hero , et Mon mariage heureux , aux côtés de franchises de jeux vidéo populaires développées par des studios sous le parapluie de Kadokawa, tels, tels comme Elden Ring , Dragon Quest , et la série Danganronpa . Cette base solide soutient leurs plans d'agrandissement ambitieux.

Sony's Kadokawa Investment Sparks Goal of 9000 Original IPs Per Year

L'intérêt de Sony pour l'expansion multimédia, y compris les adaptations en direct et les coproductions d'anime, s'aligne parfaitement sur la stratégie de Kadokawa, créant un partenariat synergique prêt à une croissance significative du marché mondial du divertissement.

Sony's Kadokawa Investment Sparks Goal of 9000 Original IPs Per Year

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2025: Ancient Giants Await
— The Return of the Forgotten Echoes
The year is 2025, and the world stands on the precipice of a revelation buried beneath millennia of myth and memory. The Summer of the Ancients has begun—not with fireworks, but with a trembling in the earth, a low hum felt in the bones of those who walk the ancient paths.
From the snow-capped peaks of the Andes to the sun-baked deserts of the Sahara, and deep beneath the forests of Siberia, the Giants are stirring.
They were not gods. Not monsters. Not men.
They were the First Architects, the silent watchers who shaped the stars before we learned to name them. Their bones lie in stone temples older than language. Their voices echo in the wind through the ruins of forgotten cities—places now uncovered by melting ice and satellite scans.
This year, the signs are undeniable:

The Gobi Desert cracked open to reveal a monolith inscribed with a language that breathes when spoken aloud.
In northern Norway, the aurora danced in patterns that match an ancient star map from a 12,000-year-old cave painting.
At Stonehenge, the stones realigned not with the solstice, but with a signal from deep within the Earth—pulsing like a heartbeat.

And then, on the night of the equinox, a voice—neither human nor machine—spoke through every broadcast, every device, every dream.

2025: Ancient Giants Await — The Return of the Forgotten Echoes The year is 2025, and the world stands on the precipice of a revelation buried beneath millennia of myth and memory. The Summer of the Ancients has begun—not with fireworks, but with a trembling in the earth, a low hum felt in the bones of those who walk the ancient paths. From the snow-capped peaks of the Andes to the sun-baked deserts of the Sahara, and deep beneath the forests of Siberia, the Giants are stirring. They were not gods. Not monsters. Not men. They were the First Architects, the silent watchers who shaped the stars before we learned to name them. Their bones lie in stone temples older than language. Their voices echo in the wind through the ruins of forgotten cities—places now uncovered by melting ice and satellite scans. This year, the signs are undeniable: The Gobi Desert cracked open to reveal a monolith inscribed with a language that breathes when spoken aloud. In northern Norway, the aurora danced in patterns that match an ancient star map from a 12,000-year-old cave painting. At Stonehenge, the stones realigned not with the solstice, but with a signal from deep within the Earth—pulsing like a heartbeat. And then, on the night of the equinox, a voice—neither human nor machine—spoke through every broadcast, every device, every dream. "We have waited. We have listened. The time of silence is over." Now, from every corner of the planet, people report visions: towering figures woven from light and shadow, walking through the ruins, touching the earth, and awakening forgotten technologies—machines made of crystal, networks of energy that hum beneath the oceans, and seeds that bloom in hours. The world is divided. Some call it the apocalypse. Others, salvation. But one truth emerges from the chaos: The Giants are not coming back to destroy. They are returning to remember. To reclaim what was lost. To teach what was forgotten. And humanity—scattered, fractured, wounded—must decide: Will we open our ears? Will we learn to speak their language? Or will we fall again to the fear of what we do not understand? 2025: Ancient Giants Await — The world is no longer alone. — And the age of echoes has begun. 🔔 Follow the pulse. Listen to the silence between the stars. 🌐 #AncientGiantsAwait #2025Reckoning #TheFirstAwakening

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